{"id":702,"date":"2016-11-08T13:24:00","date_gmt":"2016-11-08T13:24:00","guid":{"rendered":"http:\/\/2016.bjf.rs\/en\/?p=702"},"modified":"2017-02-09T07:45:13","modified_gmt":"2017-02-09T07:45:13","slug":"32-beogradski-dzez-festival-osvojena-planeta-dzez","status":"publish","type":"post","link":"http:\/\/2016.bjf.rs\/en\/32-beogradski-dzez-festival-osvojena-planeta-dzez\/","title":{"rendered":"32 nd Belgrade Jazz Festival \u2013 Planet Jazz has been conquered!"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Recently finished 32<\/span><span style=\"font-weight: 400;\">nd<\/span><span style=\"font-weight: 400;\"> Belgrade Jazz Festival (October 26-30, Belgrade Youth Center and Sava Center) recorded the attendance of over 17000 spectators (9200 sold tickets), most of whom were young people. As it was the case in the last few years, top selection brought to Belgrade some of the best and most talented contemporary jazz artists, more precisely 120 musicians from 16 countries, who performed on 20 concerts. It has been a while since a large number of people from Belgrade demonstrated how much they appreciate outstanding music festivals and particularly world jazz! <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The festival already has international credibility \u2013 aside from notable presence of relevant international media and not just jazz publications, we are particularly proud that a number of concert agents, managers and record executives from different parts of the world attended the festival, which testifies to the fact that BJF is accepted as a significant part of the world\u2019s music community and concert market. The total of 100 accredited reporters, out of which 30 from international media (from USA to Russia, the presence of several most renowned jazz critics was also noted) covered the festival, whereby the festival had 32 media sponsors from the country. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The preparations for the festival started last year and the first concerts were confirmed in February. The campaign lasted six months (starting from April 1), exceeding the record for published announcements and interviews. It is fairly certain that last year\u2019s book containing 350 pages of articles about Belgrade Jazz Festival will be surpassed. <\/span><span style=\"font-weight: 400;\"><\/p>\n<p><\/span><\/p>\n<p><span style=\"font-weight: 400;\">All concert reviews were positive \u2013 after many years, two days of program in Sava Center consisting of four concerts, attracted the biggest crowds, yet the general quality of all performances and good attendence of small performances makes evident the high position that the festival currently maintains. Everybody can agree \u2013 none of the artists who performed was not randomly invited to Belgrade Jazz Festival and that is why all performances will be remembered. Regardless of whether we talking about chopped up Latino rhytms of <\/span><b>Alfredo Rodriguez<\/b><span style=\"font-weight: 400;\"> or subtle notes of <\/span><b>Vlada Mari\u010di\u0107<\/b><span style=\"font-weight: 400;\"> and trumpet player <\/span><b>Brian Lynch<\/b><span style=\"font-weight: 400;\">, unforgetable seductive trio of <\/span><b>Avishai Cohen<\/b><span style=\"font-weight: 400;\"> or <\/span><b>Antonio Serrano\u2019s<\/b><span style=\"font-weight: 400;\"> harmonica, fantastic free jazz ventures by <\/span><b>Jack DeJohnette<\/b><span style=\"font-weight: 400;\"> or meaningful improvisations by <\/span><b>Dave Holland<\/b><span style=\"font-weight: 400;\"> and all-star ensamble <\/span><b>Aziza<\/b><span style=\"font-weight: 400;\">, <\/span><b>Vincent Peirani\u2019s<\/b><span style=\"font-weight: 400;\"> passion or <\/span><b>Gianluca Petrella\u2019s<\/b><span style=\"font-weight: 400;\"> mystic energy, lyrical charm of Portuguese big band <\/span><b>Orchestra Jazz De Matosinhos<\/b><span style=\"font-weight: 400;\">\u00a0\u2013 all of them amazed the audience and entered the history of Belgrade Jazz Festival with their memorable musical creations and eventful atmosphere. The night program also had its share of big stars, such as magnificantly emotional <\/span><b>Tord Gustavsen<\/b><span style=\"font-weight: 400;\">, dynamic <\/span><b>David Helbock<\/b><span style=\"font-weight: 400;\"> and melancholic, yet endlessly playfull <\/span><b>Sao Paulo Underground<\/b><span style=\"font-weight: 400;\">, as well as all others who performed in this time slot \u2013 they became new heroes!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Memory simply can not store all these impressions, which seem already to invite more sensations that will arrive in 2017 with 33rd Belgrade Jazz Festival. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">With this year\u2019s edition of Belgrade Jazz Festival, as an event with particular significance for the City of Belgrade and the member of European Jazz Association, the festival definitely entered the list of artistically relevant, renowned European mid-sized festivals. Many bigger European cities can not boast with such homegrown cultural brand, while the task of our loyal audience is to continue to support it, the same way it was doing it all these years with unparallel confidence. This is the reason why the festival is always dedicated to maintaining of unbreakable bond between musicians and audience, as well as celebrating music as an art form. And that is the only winning formula we have \u2013 the fact that such great unity of world music community is demostrated every year in Belgrade is the biggest reward for all of us.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Planet Jazz has been conquered! \u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Serbian.<\/p>\n","protected":false},"author":1,"featured_media":556,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/posts\/702"}],"collection":[{"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/comments?post=702"}],"version-history":[{"count":2,"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/posts\/702\/revisions"}],"predecessor-version":[{"id":706,"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/posts\/702\/revisions\/706"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/media\/556"}],"wp:attachment":[{"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/media?parent=702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/categories?post=702"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/2016.bjf.rs\/en\/wp-json\/wp\/v2\/tags?post=702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}